Showing posts with label Paul Malmont. Show all posts
Showing posts with label Paul Malmont. Show all posts

Sunday, June 6, 2010

Pulp of the Week - The Chinatown Death Cloud Peril


The Chinatown Death Cloud Peril (2006)
by Paul Malmont

Ad writer Paul Malmont became a Pulp Legend when he wrote this book, his first published novel. The core idea is so good and the novel is so well written that this is a must read for every pulp fan.

The two main characters are 1930s writers Lester Dent and Walter Gibson. These real life pulp legends have a pair of things in common. They are the two top-selling writers in the country and they are both forced by publisher Street & Smith to write under a pseudonyms.

Dent wrote the bulk of the Doc Savage novels under the S&S house name Kenneth Robeson and Gibson as Maxwell Grant wrote many of the twice monthly Shadow books. As portrayed in Malmont's novel, the two men are friendly rivals who join forces to solve a long standing mystery.

Other writers (and historical figures) of the era are characters in the book as well. HP Lovecraft plays a crucial (and odd) role, Ron Hubbard (nicknamed the Flash due to his speed at cranking out a story) is the new guy. John Campbell, Orson Welles, and E.E. 'Doc' Smith play roles as well.

Quite a bit (and in my opinion a bit too much) of the story that takes place in China with the country in turmoil with itself and at war with the Japanese. These scenes alternate with the action in New York City and Providence, RI.

The final merging of the two running stories and the wonderful treatment Malmont gives the plucky Norma Dent (Lester's wife) make for a memorable and exciting final act.

The Chinatown Death Cloud Peril really is a wonderful story full of thrills, twists and villainous acts that provides some interesting insight into the era of reading, when 30 Million fiction magazines were sold every month in America. World War II and paper shortages contributed to the art forms demise and television finally killed it.

Hopefully eBooks and the internet will help usher in a resurgence of reading for fun and entertainment. The pulps of the 1930s cost between 10 and 25 cents and many of the writers were paid a nickel a word - $3000 dollars a novel. Not really a bad living for those who could pound out the books like Dent and Gibson. In the novel, Gibson had his own private train car. I don't know if that is true or not.

Sadly for the modern writer, the contemporary SF and Fantasy magazines that are still left pay just a little more than that.

Paul Malmont has written two other novels. The first is Jack London in Paradise, an adventure featuring writer Jack London. The second is The Astounding, the Amazing, and the Unknown,  which is a sequel to The Chinatown Death Cloud Peril. This book is due out in January, 2011.

You can click on the Amazon link to the right and pick up The Chinatown Death Cloud Peril for less than five bucks and help me out, too.

Tuesday, April 27, 2010

Pulp of the Week - Doc Savage / The Avenger #1





Doc Savage #1
DC Comics - $3.99
The Lord of Lightning - Darkness Falls
Paul Malmont - Writer
Howard Porter - Penciller
Art Thiebert - Inker
J.G. Jones - Cover
John Cassaday - Alternate Cover

I really wish the news was better. I am in the middle of reading "The Chinatown Deathcloud Peril" by Paul Malmont. This is a great pulp adventure novel which ingeniously puts a mess of actual pulp authors in the middle of a pulp story in the 1930s. Lester Dent (Doc Savage), Walter Gibson (The Shadow), HP Lovecraft (Weird Tales), and others are characters in this fun novel.

I hoped that Doc Savage #1 would be an improvement over "First Wave" #1 (also featuring Doc Savage) but it isn't. One of the ideas behind the First Wave Universe was that it would be hard to pin down the time. There would be elements of the 1930s mixed in with the modern. Think speakeasies and cel phones. The only element that this isn't a contemporary, our world, New York City is the fact that Doc Savage drives an airship. In this issue, that's it. Everything else is completely our world.

I suppose that isn't Malmont's fault. The artist, Howard Porter, didn't put any of the world that the "First Wave" book put in. Additionally, the art just isn't very good. In fact, the script is probably OK, but the art ruins it.

The issue starts with a one page conclusion of an African desert rescue. A shirt-ripped Doc beats up a pair of lions and rescues the girl. We don't know or care who she is. Some cops take away the villain and Doc's airship is in the background.


Turn the page and Doc is piloting the airship into Manhattan. He is still in the same ripped up clothes from Africa. I guess he has no other clothes on his ship, or maybe his shirts just come pre-ripped to save him the trouble of shredding them.


Doc rescues some kids as his airship and the Empire State Building are under attack by lightning. We see the airship burning up as it goes down. Why? Is it hydrogen? Is the outer skin flammable?

That is just the first five pages.

I think if the art would have introduced us to the pulp-ish unique alternate universe that First Wave is supposed to be then this would have all played much better. Doc and his men seem like themselves (well, Long Tom is married) but in a modern setting. Some fans have complained that Doc is too talky and not stoic enough, but in my rereading of the original pulp series so far, I don't find him stoic at all.

Physically, Monk is the most off from the pulp descriptions. Long Tom and Johnny are rather plain.

The issue sets up the story of a madman trying to kill Doc and his men. We'll see how that plays out.

As it is, I liked "First Wave" #1 better, and I didn't think that one was great. Now that Columbia has the rights to the Doc Savage movie, is Warner Bros trying to torpedo the character?

I'll give Doc Savage #1 a 6 out of 10 for the writing and a 2 out of 10 for the art.

Justice, Inc.
Jason Starr - Writer
Scott Hampton, Artist
Daniel Vozzo, Colorist

The Doc Savage story occupies 20 pages and is followed by the "Justice, Inc." back up feature. This is a 10 page story featuring The Avenger. I liked this story much better. The art is good and the characters are interesting. I have not read an Avenger stories in over 30 years, so I am not too familiar with the characters. The Avenger fan base seems to feel they have wrecked the characters, but I thought it started a pretty good story. Scott Hampton's beautifully noir art is wonderfully enhanced by Daniel Vozzo's dark and moody colors.

I liked this back-up quite a bit, but there still isn't a thing that isn't just contemporary New York City.

I'll give Justice, Inc. a 7 out of 10.


RANT
Four bucks. That is the price of a DC comic these days. Maybe they need to rethink this. Perhaps they could have put an ad between the two stories. There are ads on the insides of the covers and on the back cover, but other wise there are no paid ads in this book. There are 2 pages for non-profits (literacy and the Red Cross) and 3 pages of DC ads. There is a 5 page b&w Zatanna preview that outshines the Doc Savage main story. I really wish they could get in some paid ads and drop the price a little.