Showing posts with label 1936. Show all posts
Showing posts with label 1936. Show all posts

Sunday, July 6, 2014

Pulp of the Week - Doc Savage 40






June 1936 - The Haunted Ocean

The Haunted Ocean is another Laurence Donovan tale, this time with a lofty villian's goal: Defeating all the world's armies and using his own to enforce world peace. The US President (FDR at this time, although not named) telephones Doc and summons him to Washington, D.C. to discuss the disappearance of the peace commission.

At the meeting, the President stated, "The whole thing is fantastic, but it suggests such great possible calamity, it cannot be overlooked! We seem to be threatened by such a power as none of our government scientists and technicians have ever before seen."

Doc replied that science had advanced so rapidly that the threat could be genuine. "None can say what vast force can be discovered at any time. Unfortunately, the discoveries are not always made by those of balanced and straightforward minds."

The villain, The Man of Peace, seeks the same ends as the commission - to disarm everyone but themselves, although this is not acceptable to the great nations.

This was an odd story and in thinking about it, I find it is so strange that the writer and editor in 1936 would not find it strange or worry that the readers would not like the commission members to be Great Britain, France, the United States, Spain, Italy, and Germany! This is only 15 years after the Great War! William Harper Littlejohn (Doc's aide Johnny) was currently the US delegate and has gone missing.

There are plenty of planes and ships and submarines involved in the action, but I didn't find it all that engaging. I'll give Donovan's tale a 7 out of 10. The pulp cover is by Walter Baumhofer, and the Bantam paperback cover is another great James Bama painting.








Wednesday, September 18, 2013

Pulp of the Week - Doc Savage 39






The  Seven Agate Devils - May 1936

This Doc adventure has a couple of firsts - Doc in Los Angeles for an extended period and a bald femme fatale. The story involves a series of killings where a carved agate statue is found next to the victim. This is especially peculiar because the statue's face matches the victims.


After racing around Los Angeles and a faux Malibu, Doc, Monk, and Ham go to a movie location far in the desert out by Palm Springs where the trail of the agate statues has led.

This odd and almost great adventure especially suffers from common ailment of a Doc Savage story running out of pages too fast. The authors (Lester Dent and Harold A. Davis) didn't leave enough room for an adequate conclusion.


The story has thrills and chases, Pacific cliffs and western canyon hideouts. It all rushes by too fast and misses many good opportunities. Hopefully Doc and company will return to Hollywood for a proper classic movie studio adventure. This is not that.




For this review I read the Bantam paperback published March 1973, likely purchased new a few years after that. The evocative paperback cover is by Fred Pfeiffer. I find myself liking the Pfeiffer covers more and more. The pulp cover is by Walter Baumhofer. I got the pulp image from mycomicshop.com. I'll give The Seven Agate Devils a 7 out of 10 - low due to the missed chances and the utterly unsatisfying conclusion. The scenes are exciting, but the story never gelled.

Monday, September 2, 2013

Pulp of the Week - Doc Savage 38







THE MEN WHO SMILED NO MORE
APRIL 1936


The Men Who Smiled No More is a very different Doc Savage tale for a number of reasons. It takes place entirely in New York state. It does not involve foreigners. And 95% of it has no super-science. Yet the plot is entirely about two completely different aspects of super-science. Writer Laurence Donovan contributed this tale.

The story begins with a humble shoe shiner. "Smiling Tony" Talliano was the first to quit laughing" is the first sentence of the story. What follows is a wild story where even Doc himself is afflicted with a strange condition where people become emotionless, flat versions of themselves. It's like they were replaced with a robot replica. The violence is also at a high level with killings perform is a callous and brutal manner. What intrigued me about this is that many people perceive Doc himself to be emotionless like this all the time anyway. That is not true. Doc has emotions, but he rarely displays them openly. Donovan also enhanced Docs' humanity to emphasize the difference when Doc is afflicted by the strange emotionlessness.

Donovan also brings the whole cast of regulars into this adventure, so we get to see Monk, Ham, Renny, Long Tom, Johnny, and Pat Savage struggle and change into lethargic shells, with no humor, or passion in their lives. Chemistry is the only one left out.

The bulk of the tale is set in the Shinnecock Hills on Long Island in New York. Monk, it turns out, has a cabin retreat in the woods and strange things are going on in a neighboring cabin. The man there has a duck pond and gets particularly furious at anyone who comes near his ducks. Then everyone starts getting the affliction. One by one the cast loses their drive, their will to live or to be active about anything. Finally, Doc himself falls under its spell.

The Men Who Smiled No More itself is told far more like a mystery story than any of the other Doc Savage tales I have read so far,and it includes Doc giving a long, detailed wrap up at the end.
I'll give The Men Who Smiled No More an 8.5 out of 10. This is a fun story with a welcome stylistic change of pace - harder, more savage.

For this review, I read my Bantam paperback dated February 1970. The Pulp cover is by Walter Baumhofer and the Bantam cover is by James Bama. Interestingly, that cover seemed to have nothing to do with the story for a very long time. It is an illustration of action from the story, however. Page 124 to be precise. I'm not sure that I have ever read a story with the cover happening so close to the end. Cherie Priest's The Inexplicables is the closest in recent memory, but even that cover was not nearly as close to the end as was the one for this Doc Savage story.